In a remarkable fusion of tradition and modernity, Kengo Kuma and Associates have unveiled the UCCA Clay Museum in Yixing, China. This 37,000-square-foot structure, adorned with 3,600 handmade tiles, stands as a testament to the meticulous craftsmanship and cultural heritage of the region.
Rather than relying on industrial mass production, the design team intentionally focused on materials and details that convey the warmth and marks of the hand, as emphasized by Yutaka Terasaki, a partner at Kengo Kuma and Associates. Each tile, crafted by local artisans, showcases a spectrum of hues that emulate the natural transformation of pottery during firing.
The building’s silhouette subtly nods to the surrounding Shushan mountain, with its distinct peaks and forms. This design choice pays homage to Yixing’s rich history as the “ceramic capital” of China, renowned for its exceptional pottery production.
The ceramic panel façade, which extends to the ground floor with semi-circular cutouts for entry, serves as a personal signature for each artisan involved in its creation. The firm also engaged local children to carve designs onto some of the tiles, fostering a deep connection with the city’s historical roots. Encircling ponds and bamboo-lined arches further enhance the building’s integration with its natural surroundings, ensuring unobstructed views of the nearby canal.
Architectural Inspiration and Design Elements
The UCCA Clay Museum draws inspiration from both the natural landscape and traditional Chinese craftsmanship. The building’s shape mirrors that of dragon kilns, traditional Chinese kilns built on slopes, long and slim like a dragon’s body. This architectural choice not only reflects the local heritage but also integrates seamlessly with the environment.
The tile cladding, a significant feature of the museum, extends gracefully to the ground, creating a cohesive and organic aesthetic.
Handmade Tiles and Artisan Craftsmanship
Each of the 3,600 tiles used in the UCCA Clay Museum was meticulously handmade by local artisans. This labor-intensive process ensures that every tile is unique, embodying the marks of the hand and the warmth of craftsmanship.
The tiles’ varied hues reflect the natural color changes that occur during pottery firing, adding a dynamic and authentic touch to the building’s façade. The involvement of local children in carving designs onto some of the tiles further strengthens the community’s connection to the museum and its cultural significance.
Integration with the Natural Environment
The building’s design not only pays homage to the local cultural heritage but also integrates harmoniously with the natural surroundings. The silhouette of the UCCA Clay Museum is inspired by the nearby Shushan mountain, with its distinct peaks and forms.
Additionally, the bamboo-lined arches and encircling ponds enhance the building’s connection to the landscape, ensuring that the natural beauty of the area is preserved and highlighted.
These design elements create a seamless transition between the built environment and nature, providing visitors with an immersive and enriching experience.
Interior Design and Exhibition Space
The interior of the UCCA Clay Museum is equally impressive, featuring a wood lattice framework that supports the roof. This light yet strong wooden structure brings dynamic changes to the interior space, drawing the line of sight and circulation flow deeper into the building.
The design team’s attention to detail and commitment to craftsmanship is evident throughout the interior, creating a warm and inviting atmosphere for visitors.
Inaugural Exhibition: The Ways of Clay
The museum’s inaugural exhibition, titled The Ways of Clay: Select Award-Winning Works from the International Ceramics Festival Mino of the Museum of Modern Ceramic Art, Gifu, Japan, is on display through February 2025. This exhibition showcases a diverse range of ceramic art, highlighting the versatility and beauty of clay as a medium.
The carefully curated selection of award-winning works provides visitors with a comprehensive understanding of contemporary ceramic art and its cultural significance.
Conclusion
The UCCA Clay Museum stands as a monumental achievement in architectural design. It seamlessly blends traditional craftsmanship with modern aesthetics. Kengo Kuma and Associates have created a space that celebrates the rich cultural heritage of Yixing. It also engages the local community in meaningful ways.
From the handmade tiles to the bamboo-lined arches, every element of the museum reflects a deep respect for the natural environment and the artistry of the region. As visitors explore the museum and its inaugural exhibition, they are invited to appreciate the timeless beauty of clay and the enduring legacy of craftsmanship.
For more information on the UCCA Clay Museum and its architectural significance, visit Architectural Digest.